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“Figaro” begins, “The rest is empty with no brain but the clever nerd / The best emcee with no chain you’ve ever heard,” Doom effortlessly rhymes six words within one breath as he makes fun of other rappers’ IQs and style. Unlike other rappers, MF Doom did not have to brag about why he was the best rapper alive he proved it with unmatchable rhymes, flow and word play. In 2004, MF Doom and Madlib joined forces as a rapper-producer duo under the name Madvillain to create the abstract hip-hop classic “Madvillainy.” The album begins with a vintage radio broadcast describing the two as “a villainous pair of nice boys who just happened to be on the wrong side of the law.” Whereas 50 Cent was tough because of gun-talk and gold chains, MF Doom created his villainous persona by telling tales of schizophrenic prostitutes, winning the award for best drug user and embarrassing his contemporaries.
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Conversely, MF Doom used his costume to create an entirely new identity: the supervillain. MF Doom, on the other hand, sported a mask, which was nothing new - Daft Punk famously wore robot helmets in order to separate art from the artist. Bling-era rappers were masculine and braggadocious, but bubbling under the mainstream surface were acts like Kanye West and, more obscurely, MF Doom, who scratched similar itches in much more interesting ways.Įarly 2000s hip-hop was so run-of-the-mill that Kanye’s pink polos and backpacks were considered weird. Much of the music of that era may as well have been copied and pasted from one artist to the next, for when 50 Cent released “In Da Club,” he was revered as a creative god amongst men. In the early 2000s, hip-hop was overwhelmed with bling-flaunting artists like 50 Cent, Juvenile and Lil Wayne who rapped about chains, sex, drugs, money and guns.